The Ancient Japanese Infused All Creation in the Hamon
Most Japanese are familiar with the term hamon. However, the origin of its invention
is unknown. I shall review the quenching process from the earlier passage on
Japanese sword making.
In the stage before yaki-ire, using a small hand hammer, the mune, shinogi and
kissaki are formed. Next, a clay slurry is made with charcoal dust and particles of
polishing stone and is applied to the blade. First, a thin coat of clay is applied over the
whole blade, followed by a thicker coat on the back of the blade. This controls the
cooling rate of the blade at the time of quenching, causing the cutting edge to become
very hard, whilst retaining ductile qualities in the back of the blade.
In order to create a balance in the hardness of the jigane, the ancient Japanese gained
this knowledge of applying clay before yaki-ire by experience. A thick application
retained flexibility, whereas a thin application allowed the steel to become hard.
Therefore, by applying a thick coat to the mune and shinogi, and applying a thin coat
to the cutting edge before heating and quenching, results in the formation of the
hamon (the pattern along the cutting edge that is the dividing line between the hard
and softer steels).
When you view a blade with a hamon using an electric light, the ji (the area between
the hamon and the shinogi) appears dark, and the ha (area between the hamon and the
cutting edge) appears like a white band. The border between the ji and the ha (the
nioi-guchi) is bright and easily visible. The pattern of this borderline is the hamon.
There are many variations of hamon. In the early Kamakura period, the smiths of that
area were already creating controlled hamon. However, after the Mongol invasion this
style became popular and spread across Japan. When applying the clay, transverse
lines of clay were applied, controlling the shape of the hamon. Kamakura period
onwards the shapes vary due to swordmith schools and the individual preferences of
the samurai of the various periods.
When polished using Japanese techniques, a hamon also can appear in western swords.
However, unlike Japanese swords the steel of many of these western blades is full of
impurities. In other words, this is not actually a hamon, just the difference between
the hard and soft steels. Western swords did not have intentionally patterned hamon
induced, so it is fair to say that hamon are unique to Japanese swords.
There are five various basic hamon: Suguha (straight), notare (undulating), gunome
(semi-circular formations), ko-midare (slightly undulating) and choji (clove shaped).
All hamon are usually a variation or mix of these basic themes. The final result of the
hamon is outside the control of the swordsmith’s hand, as it is subject to the power of
nature through its baptism of fire and water. It is this essence that can be appreciated
when viewing. Later, hamon became more contrived with images of Mt Fuji,
chrysanthemums, cherry blossoms, sanbon-sugi (three cedar trees) and bamboo leaf
patterns being produced on the blade.
As I cannot illustrate the hamon patterns within this article, I recommend that you
research them in a beginners book on Japanese swords that gives a simple explanation
of the basic hamon. However, I shall give a basic description. Suguha is a hamon that
runs in a straight line. Ko-midare is similar to suguha, but the line undulates slightly
and is not absolutely straight. Notare is a undulating pattern like the gentle rolling of
the waves of the sea. Gunome are semi-circular shapes. Choji are clove shapes that
appear in the hamon. Usually referred to as choji-midare, there are several kinds of
choji.
The ancient Japanese included these patterns in the blade even though the sword was
for ‘taking human life’. Living as a human in the space between heaven and earth.
In a sense of reverence to the natural world, they created an image of all of creation
within the hamon. In world history, the sword as an instrument of civilization has
appeared among many races. However, the application of the hamon is unique to the
Japan. This is to be expected of a civilization as unique as the Japanese nation.